Thursday, June 30, 2011

This Is Why He's The Boss




If you don't feel the urge to stand up and shout, if this doesn't make you feel good, if for the next 12 minutes you don't find yourself being transported to another dimension, I'd change medication.

(h/t Geno)

In case you haven't read this already, the following, taken from www.brucespringsteen.net, is worth your time.

This is a slightly revised version of the eulogy I delivered for Clarence at his memorial. I'd like to thank all our fans and friends who have comforted us over the past difficult weeks.

FOR THE BIG MAN
I've been sitting here listening to everyone talk about Clarence and staring at that photo of the two of us right there. It's a picture of Scooter and The Big Man, people who we were sometimes. As you can see in this particular photo, Clarence is admiring his muscles and I'm pretending to be nonchalant while leaning upon him. I leaned on Clarence a lot; I made a career out of it in some ways.

Those of us who shared Clarence's life, shared with him his love and his confusion. Though "C" mellowed with age, he was always a wild and unpredictable ride. Today I see his sons Nicky, Chuck, Christopher and Jarod sitting here and I see in them the reflection of a lot of C's qualities. I see his light, his darkness, his sweetness, his roughness, his gentleness, his anger, his brilliance, his handsomeness, and his goodness. But, as you boys know your pop was a not a day at the beach. "C" lived a life where he did what he wanted to do and he let the chips, human and otherwise, fall where they may. Like a lot of us your pop was capable of great magic and also of making quite an amazing mess. This was just the nature of your daddy and my beautiful friend. Clarence's unconditional love, which was very real, came with a lot of conditions. Your pop was a major project and always a work in progress. "C" never approached anything linearly, life never proceeded in a straight line. He never went A... B.... C.... D. It was always A... J.... C.... Z... Q... I....! That was the way Clarence lived and made his way through the world. I know that can lead to a lot of confusion and hurt, but your father also carried a lot of love with him, and I know he loved each of you very very dearly.

It took a village to take care of Clarence Clemons. Tina, I'm so glad you're here. Thank you for taking care of my friend, for loving him. Victoria, you've been a loving, kind and caring wife to Clarence and you made a huge difference in his life at a time when the going was not always easy. To all of "C's" vast support network, names too numerous to mention, you know who you are and we thank you. Your rewards await you at the pearly gates. My pal was a tough act but he brought things into your life that were unique and when he turned on that love light, it illuminated your world. I was lucky enough to stand in that light for almost 40 years, near Clarence's heart, in the Temple of Soul.

So a little bit of history: from the early days when Clarence and I traveled together, we'd pull up to the evening's lodgings and within minutes "C" would transform his room into a world of his own. Out came the colored scarves to be draped over the lamps, the scented candles, the incense, the patchouli oil, the herbs, the music, the day would be banished, entertainment would come and go, and Clarence the Shaman would reign and work his magic, night after night. Clarence's ability to enjoy Clarence was incredible. By 69, he'd had a good run, because he'd already lived about 10 lives, 690 years in the life of an average man. Every night, in every place, the magic came flying out of C's suitcase. As soon as success allowed, his dressing room would take on the same trappings as his hotel room until a visit there was like a trip to a sovereign nation that had just struck huge oil reserves. "C" always knew how to live. Long before Prince was out of his diapers, an air of raunchy mysticism ruled in the Big Man's world. I'd wander in from my dressing room, which contained several fine couches and some athletic lockers, and wonder what I was doing wrong! Somewhere along the way all of this was christened the Temple of Soul; and "C" presided smilingly over its secrets, and its pleasures. Being allowed admittance to the Temple's wonders was a lovely thing.

As a young child my son Sam became enchanted with the Big Man... no surprise. To a child Clarence was a towering fairy tale figure, out of some very exotic storybook. He was a dreadlocked giant, with great hands and a deep mellifluous voice sugared with kindness and regard. And... to Sammy, who was just a little white boy, he was deeply and mysteriously black. In Sammy's eyes, "C" must have appeared as all of the African continent, shot through with American cool, rolled into one welcoming and loving figure. So... Sammy decided to pass on my work shirts and became fascinated by Clarence's suits and his royal robes. He declined a seat in dad's van and opted for "C's" stretch limousine, sitting by his side on the slow cruise to the show. He decided dinner in front of the hometown locker just wouldn't do, and he'd saunter up the hall and disappear into the Temple of Soul.

Of course, also enchanted was Sam's dad, from the first time I saw my pal striding out of the shadows of a half empty bar in Asbury Park, a path opening up before him; here comes my brother, here comes my sax man, my inspiration, my partner, my lifelong friend. Standing next to Clarence was like standing next to the baddest ass on the planet. You were proud, you were strong, you were excited and laughing with what might happen, with what together, you might be able to do. You felt like no matter what the day or the night brought, nothing was going to touch you. Clarence could be fragile but he also emanated power and safety, and in some funny way we became each other's protectors; I think perhaps I protected "C" from a world where it still wasn't so easy to be big and black. Racism was ever present and over the years together, we saw it. Clarence's celebrity and size did not make him immune. I think perhaps "C" protected me from a world where it wasn't always so easy to be an insecure, weird and skinny white boy either. But, standing together we were badass, on any given night, on our turf, some of the baddest asses on the planet. We were united, we were strong, we were righteous, we were unmovable, we were funny, we were corny as hell and as serious as death itself. And we were coming to your town to shake you and to wake you up. Together, we told an older, richer story about the possibilities of friendship that transcended those I'd written in my songs and in my music. Clarence carried it in his heart. It was a story where the Scooter and the Big Man not only busted the city in half, but we kicked ass and remade the city, shaping it into the kind of place where our friendship would not be such an anomaly. And that... that's what I'm gonna miss. The chance to renew that vow and double down on that story on a nightly basis, because that is something, that is the thing that we did together... the two of us. Clarence was big, and he made me feel, and think, and love, and dream big. How big was the Big Man? Too fucking big to die. And that's just the facts. You can put it on his grave stone, you can tattoo it over your heart. Accept it... it's the New World.

Clarence doesn't leave the E Street Band when he dies. He leaves when we die.

So, I'll miss my friend, his sax, the force of nature his sound was, his glory, his foolishness, his accomplishments, his face, his hands, his humor, his skin, his noise, his confusion, his power, his peace. But his love and his story, the story that he gave me, that he whispered in my ear, that he allowed me to tell... and that he gave to you... is gonna carry on. I'm no mystic, but the undertow, the mystery and power of Clarence and my friendship leads me to believe we must have stood together in other, older times, along other rivers, in other cities, in other fields, doing our modest version of god's work... work that's still unfinished. So I won't say goodbye to my brother, I'll simply say, see you in the next life, further on up the road, where we will once again pick up that work, and get it done.

Big Man, thank you for your kindness, your strength, your dedication, your work, your story. Thanks for the miracle... and for letting a little white boy slip through the side door of the Temple of Soul.

SO LADIES AND GENTLEMAN... ALWAYS LAST, BUT NEVER LEAST. LET'S HEAR IT FOR THE MASTER OF DISASTER, the BIG KAHUNA, the MAN WITH A PHD IN SAXUAL HEALING, the DUKE OF PADUCAH, the KING OF THE WORLD, LOOK OUT OBAMA! THE NEXT BLACK PRESIDENT OF THE UNITED STATES EVEN THOUGH HE'S DEAD... YOU WISH YOU COULD BE LIKE HIM BUT YOU CAN'T! LADIES AND GENTLEMEN, THE BIGGEST MAN YOU'VE EVER SEEN!... GIVE ME A C-L-A-R-E-N-C-E. WHAT'S THAT SPELL? CLARENCE! WHAT'S THAT SPELL? CLARENCE! WHAT'S THAT SPELL? CLARENCE! ... amen.

I'm gonna leave you today with a quote from the Big Man himself, which he shared on the plane ride home from Buffalo, the last show of the last tour. As we celebrated in the front cabin congratulating one another and telling tales of the many epic shows, rocking nights and good times we'd shared, "C" sat quietly, taking it all in, then he raised his glass, smiled and said to all gathered, "This could be the start of something big."
Love you, "C".

Wednesday, June 29, 2011

Let Me Tell You How It Should Be



Like we all need another Beatles' tribute band, right? Well, let me say this. The Fab Faux are indeed...fab! Can't say I've seen them more than once, but the one time time I did, I enjoyed it. They played "The White Album" from top to bottom, and it was impressive. People love these guys and I can see and hear why.

Now I want to tell you why I like Yellow Matter Custard more. They are a rock band, and so were The Beatles. And the exercise of creating note for note versions of big studio productions live on stage is praiseworthy, and a fantastic display of skill, but now and again, it feels good to hear something a bit more organic. Yellow Matter Custard, a band featuring Mike Portnoy of Dream Theatre, Paul Gilbert of Mr. Big. Kasim Sulton of Utopia and Neal Morse of Spock's Beard, fits that bill.

From their just released DVD and CD download, "One More Night In New York City," give a listen to "Taxman." I suspect some Beatle purists and full time cynics will balk at the extended jam which closes out the tune, but for me, that is precisely what makes this live version kick ass. It's hot!  I can't imagine anyone who has ever picked up a guitar or sat behind a drum kit, denying wanting to play like this.

There are over 40 tunes covered on this set, which you can grab BELOW.
http://www.mikeportnoy.com/forum/tm.aspx?high=&m=2673250&mpage=1#2673250

These guys can sing and play, and man, are they having fun. As I said, The Fab Faux are amazing, but they need to take a pill. Know what I mean?


TAXMAN

Tuesday, June 28, 2011

If It's Tuesday, It Must Be Street Date: 6/28/11


GILLIAN WELCH- THE HARROW & THE HARVEST

It's been 8 years since Gillian Welch released a record, and with each passing year since 2003's "Soul Journey," my faith in actually seeing another record grew smaller and smaller. She teased us back then by debuting a new song in concert, "Throw Me A Rope," a song that is as powerful as anything written by anyone prior. It became an instant classic for me, and planted a seed that I expected to see grow soon after, into the best record of her career. For eight years, nothing came. I thought to myself, "Throw Me A Rope" was so perfect, she must have written herself dry.

It is now 2011, and "Throw Me A Rope," now called "The Way It Will Be" sits at track 3 on "The Harrow & The Harvest."  I played that one first.

8 years gone and Gillian Welch is back. This record doesn't sound like it took 8 years to make. That's not to say I was expecting a German industrial record from Welch and her partner, the unlikely guitar hero and Gillian soundalike David Rawlings. It's just that, "The Harrow & The Harvest" is exactly the record it should be.

Backhanded compliment? Maybe.

There are a few winners here, including the absolutely chilling "Hard Times" and the aforementioned "The Way It Will Be." But it's hard, at least for me, to get back in the swing of all things Gillian, after such a long layoff. I should be able to look beyond the time gone by and just get lost in the music, but many of the songs on "The Harrow & The Harvest" are too similar to what she has done in the past. It almost feels as if this release is comprised of Gillian Welch b-sides; second rate songs, which were tweaked and retitled and placed on her previous 4 releases in much stronger form. The record feels forced and I fully admit, that may be my fault.

BUY IT---http://www.amazon.com/gp/product/B0052T7JP8/ref=s9_simh_gw_p15_d0_i3?pf_rd_m=ATVPDKIKX0DER&pf_rd_s=center-2&pf_rd_r=0HC2Q0KGFDMM1H340MW6&pf_rd_t=101&pf_rd_p=470938631&pf_rd_i=507846








THE KINKS' REISSUES (VOLUME 3, ROUND 2)

"Face To Face," "Something Else," and "Arthur" have now been souped up with new remastering, mono and stereo mixes, b-sides, alternates and BBC appearances. I did the ol' A/B-ing of "Something Else," & "Face To Face," comparing my 1998 Japanese remasters to these new ones, and there is really no comparison. The new remastering brings out voices and instruments I have never heard before. And while I'm loathe to get behind yet another repackaging campaign by UMG, you'd be doing yourself an injustice by not picking a few of these up over at Amazon.co.uk, where the 2 CD sets are going for about $20-22 U.S. Plus, there's like a gazillion bonus tracks, too!

BUY IT--http://www.amazon.co.uk/Something-Else-Deluxe-Kinks/dp/B004WDPX9Y/ref=sr_1_2?ie=UTF8&qid=1309264242&sr=8-2






RAVE ON BUDDY HOLLY- VARIOUS ARTISTS

Records like this have always been a pet peeve of mine. "Let's just slap a bunch of artists who have nothing in common with each other, and little to do with the honoree, and make a tribute record." BLECCHH!!

So, it's with great pain that I must admit to liking a lot of "Rave On Buddy Holly." I don't know how many times I will go back to this collection. It seems like once may be enough.  But, Sir Paul sounds great, Patti Smith is wonderful, and My Morning Jacket's version of "True Love Ways" is simply gorgeous. Plus, it's good to see Fiona Apple get off her skinny ass and make some music again.

BUY IT..OR NOT----http://www.amazon.com/gp/product/B004YGRHXY/ref=s9_simh_gw_p15_d0_i2?pf_rd_m=ATVPDKIKX0DER&pf_rd_s=center-2&pf_rd_r=0HC2Q0KGFDMM1H340MW6&pf_rd_t=101&pf_rd_p=470938631&pf_rd_i=507846







ALICIA KEYS- SONGS IN A MINOR (10TH ANNIVERSARY)

Must we celebrate everything? I mean, a hit single that ripped off "It's A Man's World" by James Brown, and now this?






THE LEFT BANKE REISSUES

Thank you, Sundazed! Both Left Banke records, "Walk Away Renee/Pretty Ballerina" and "The Left Banke, Too" finally get proper releases. The second record has a few goodies on it, but the debut is essential, easily one of my favorite records of all time.

BUY THEM---http://www.amazon.com/Walk-Away-Ren%C3%A9e-Pretty-Ballerina/dp/B004Y03LHQ/ref=sr_1_1?s=music&ie=UTF8&qid=1309264360&sr=1-1









RICHARD THOMPSON- LIVE AT THE BBC (3 CDs & 1 DVD)


Disc 1: Richard and Linda Thompson
  1. The Little Beggar Girl (John Peel Session – 1/1/1973)
  2. Dragging the River (John Peel Session – 1/1/1973)
  3. The Great Valerio (John Peel Session – 1/1/1973)
  4. The Neasden Hornpipe/The Avebury Particle Accelerator/The Flowing Tide (John Peel Session – 1/1/1973)
  5. I Want to See the Bright Lights Tonight (BBC Session – 1/24/1974)
  6. Hokey Pokey (John Peel Session – 2/11/1975)
  7. Georgie on a Spree (John Peel Session – 2/11/1975)
  8. I’ll Regret It All in the Morning (John Peel Session – 2/11/1975)
  9. A Heart Needs a Home (John Peel Session – 2/11/1975)
  10. Wishing (John Peel Session – 2/11/1975)
  11. I’m Turning Off a Memory (John Peel Session – 2/11/1975)
  12. A Man in Need (Live @ The Paris Theatre, London – 5/22/1982)
  13. Withered and Died (Live @ The Paris Theatre, London – 5/22/1982)
  14. New Fangled Flogging Reel/Kerry Reel (Live @ The Paris Theatre, London – 5/22/1982)
  15. Shoot Out the Lights (Live @ The Paris Theatre, London – 5/22/1982)
  16. It’s Just the Motion (Live @ The Paris Theatre, London – 5/22/1982)
  17. Back Street Slide (Live @ The Paris Theatre, London – 5/22/1982)
  18. Night Comes In (Live @ The Paris Theatre, London – 5/22/1982)
  19. Dimming of the Day (Folk on Two – 1982)
  20. Modern Woman (Folk on Two – 1982)
Disc 2
  1. She Twists the Knife Again (Recorded for Andy Kershaw – 7/1/1985)
  2. You Don’t Say (Recorded for Andy Kershaw – 7/1/1985)
  3. When The Spell is Broken (Recorded for Andy Kershaw – 7/1/1985)
  4. The Angels Took My Racehorse Away (Live @ Hammersmith Palais, London – 11/20/1986)
  5. Valerie (Live @ Hammersmith Palais, London – 11/20/1986)
  6. Jennie (Live At The Hammersmith Palais, 20/11/1986)
  7. You Don’t Say (Live @ Hammersmith Palais, London – 11/20/1986)
  8. Fire in the Engine Room (Live @ Hammersmith Palais, London – 11/20/1986)
  9. Wall of Death (Live @ Hammersmith Palais, London – 11/20/1986)
  10. Nearly in Love (Live @ Hammersmith Palais, London – 11/20/1986)
  11. Valerie (Recorded for Andy Kershaw – 7/1/1987)
  12. When the Spell is Broken (Recorded for Andy Kershaw – 7/1/1985)
  13. Two Left Feet (Recorded for Andy Kershaw – 7/1/1985)
  14. Turning of the Tide (Recorded for Andy Kershaw – 7/1/1985)
  15. Simple Again (Recorded for Andy Kershaw – 7/1/1985)
  16. Ghosts in the Wind (Recorded for Andy Kershaw – 7/1/1985)
  17. Shoot Out the Lights (Recorded for Andy Kershaw – 7/1/1985)
  18. She Twists the Knife Again (Recorded for Andy Kershaw – 7/1/1985)
  19. Withered and Died (Recorded for Andy Kershaw – 7/1/1985)
  20. The End of the Rainbow (Recorded for Andy Kershaw – 7/1/1985)
Disc 3
  1. Gethsemane (Recorded for Andy Kershaw – 9/28/2001)
  2. The Outside of the Inside (Recorded for Andy Kershaw – 9/28/2001)
  3. Wall of Death (Recorded for Andy Kershaw – 9/28/2001)
  4. Word Unspoken Sight Unseen (Recorded for Andy Kershaw – 4/25/2003)
  5. Kidzz (Recorded for Andy Kershaw – 4/25/2003)
  6. Did She Jump or Was She Pushed (Recorded for Andy Kershaw – 4/25/2003)
  7. The End of the Rainbow (Recorded for Andy Kershaw – 4/25/2003)
  8. One Door Opens (Recorded for Evening Sequence – 5/18/2004)
  9. The Outside of the Inside (Recorded for Evening Sequence – 5/18/2004)
  10. Let It Blow (Recorded for Tom Robinson On 6 Music  7/27/2005)
  11. Old Thames Side (Recorded for Tom Robinson On 6 Music  7/27/2005)
  12. Dad’s Gonna Kill Me (Recorded for Tom Robinson On 6 Music  7/27/2007)
  13. Down Where the Drunkards Roll (Recorded for Tom Robinson On 6 Music  7/27/2007)
  14. I Want to See the Bright Lights Tonight (Recorded for Tom Robinson On 6 Music  7/27/2007)
  15. Needle and Thread (Recorded for Tom Robinson On 6 Music  7/27/2007)
  16. So Ben Mi Ca Bon Tempo (Recorded for Bob Harris  12/27/2008)
  17. A Hunting the Wren (Recorded for Bob Harris  12/27/2008)
  18. See My Friends (Recorded for Bob Harris  12/27/2008)
  19. Time’s Gonna Break You (Recorded for Hub Sessions   1/9/2009)
  20. William Brown (Recorded for Hub Sessions   1/9/2009)
  21. Meet on the Ledge (Recorded for Hub Sessions   1/9/2009)
Disc 4: DVD
  1. Jet Plane in a Rocking Chair (The Old Grey Whistle Test  3/7/1975)
  2. A Heart Needs a Home (The Old Grey Whistle Test  3/7/1975)
  3. Night Comes In (A Little Night Music  8/19/1981)
  4. I’m a Dreamer (A Little Night Music  8/19/1981)
  5. I Want to See the Bright Lights Tonight (A Little Night Music  8/19/1981)
  6. Shoot Out the Lights (A Little Night Music  8/19/1981)
  7. You’re Going to Need Somebody (A Little Night Music  8/19/1981)
  8. Dargai (A Little Night Music  8/19/1981)
  9. Dimming of the Day (A Little Night Music  8/19/1981)
  10. Pavanne (Jake Thackery and Songs – 1/6/1981)
  11. Just the Motion (Jake Thackery and Songs – 1/6/1981)
  12. Fire in the Engine Room (Recorded Live for Late Night In Concert – 8/13/1985)
  13. She Twists the Knife Again (Recorded Live for Late Night In Concert – 8/13/1985)
  14. Wall of Death (Recorded Live for Late Night In Concert – 8/13/1985)
  15. When the Spell is Broken (Recorded Live for Late Night In Concert – 8/13/1985)
  16. Did She Jump or Was She Pushed (Recorded Live for Late Night In Concert – 8/13/1985)
  17. Wrong Heartbeat (Recorded Live for Late Night In Concert – 8/13/1985)
  18. Tear Stained Letter (Recorded Live for Late Night In Concert – 8/13/1985)
  19. She Twists the Knife Again (The Old Grey Whistle Test – 5/7/1985)

$62 at Amazon.com, $48 at Amazon.co.uk



http://www.amazon.co.uk/gp/product/B004WZ92BM/ref=s9_newr_gw_ir03?pf_rd_m=A3P5ROKL5A1OLE&pf_rd_s=center-2&pf_rd_r=1CNHYBR023TJ49FTFD1W&pf_rd_t=101&pf_rd_p=467128533&pf_rd_i=468294

Monday, June 27, 2011

A Holy Grail Of Sorts


Not very well-received back upon its release in 1964 or after its brief re-release 30 years later, Marvin Gaye's "When I'm Alone I Cry" has always been a minor obsession.

I first read it about in Rolling Stone, years ago, in a piece I think, about rare records. Back then, the 80s, this record was fetching offensive money. I had never been able to get a hold of one, and when I did finally hold one in my hands, I couldn't part with the $80 the dealer had wanted for it.

When it was finally released on CD, I riverdanced with joy, but something inside of me wanted more than just the music. Still for years, that affordable vinyl copy eluded me...until Saturday, where I snagged a mono copy...with a 5" top seam split and mild ringwear, but with a VG+ play rating...on eBay for $14.99. It only took 30 years.

As for the album itself, "When I'm Alone I Cry" is commonly flagged as a mediocre curio, but I think it is more than that. It's only the 4th record of Marvin Gaye's career, and Motown still wasn't sure if they wanted a soul singer or a crooner. I think they made the right choice, but Gaye's approach to these standards is about as perfect as it gets, even if musically, the arrangements are borderline schmaltz.

I happen to love this record, and as soon as I Paypal some money to that eBay seller, it will finally be mine.

Here's one for you to check out.

I WAS TELLING HER ABOUT YOU

Friday, June 24, 2011

"Ray, Brian, & Todd" : THE WEEKEND MIX




Paul McCartney, born on June 18th.

Brian Wilson, born on June 20th.

Ray Davies, born on June 21st.

Todd Rundgren, born on June 22nd.

I mean, HELL.




It feels like I've been listening to nothing but these four men, in one form or another, for my whole life, and I can't say I'd have it any other way.

I took care of Paul last week, so this "Weekend Mix" focuses on Ray, Brian and Todd. I think you may enjoy it.

It's not your average collection. There are some odd ball choices here, including a few covers, some alternate takes and a live version or two.  I want to keep you on your toes.






TRACKLIST

Don't Worry Baby (Backing Vocals)- The Beach Boys
Autumn Almanac (Stereo Mix)- The Kinks
Tired Of Waiting For You- Dwight Yoakam
I Saw The Light- Lori Carson
It Wouldn't Have Made Any Difference (Live From Todd's House)- Todd Rundgren & Daryl Hall
Please Let Me Wonder (New Stereo Mix)- The Beach Boys
Scattered- The Kinks
There Goes My Inspiration- The Rubinoos
In My Room (Acapella)- The Beach Boys
See My Friends (Alternate Take)- The Kinks
Couldn't I Just Tell You- Joe Jackson
Postcard From London- Ray Davies & Chrissie Hynde
Girl Don't Tell Me (Vocal Overdubs)- The Beach Boys
God Said (Live In Albany)- Todd Rundgren & The Liars
Guess I'm Dumb- The Wondermints (listed as Glen Campbell in the zip. Sorry.)
Anyway, Anyhow Anywhere (Live 1979)- Utopia
Waterloo Sunset (Live From Town Hall)- Ray Davies & The Desoff Chamber Choir


zip

Thursday, June 23, 2011

Looks Like I Picked The Wrong Week To Give Up Posting



Maybe the blogosphere was overloaded with essential celebrity birthday tributes this week, what with Ray Davies, Brian Wilson, Todd Rundgren AND Sherry Stringfield all getting a bit older. Or maybe it was just too humid. But on Tuesday, as I prepared to post a fun little story sent to me by my friend and Hall Of Fame Kinks fanatic, John Dunbar, a series of soul-numbing and nerve-fraying computer mishaps not only prevented me from getting a post up on these pages, but squashed what little patience I possess into little pieces.

(Any Mac users out there? Know that little spinning, rainbow wheel of death? Think of that, every 5 minutes, for 15 minutes at a time. I don't know the equivalent for PC users, but trust me, it sucks.)

It has since corrected itself, and I, myself, and things seem to be back in working order over here at Casa de Quack. So, below, is what would have been here on Tuesday; a story shared in an e-mail by John Dunbar, that really made me laugh.

Tomorrow, your "Weekend Mix."

And that's the way it goes.



I found myself dealing with a buzzing stomach of starvation in Fort Greene, Brooklyn yesterday. There's a pizza place I often pass on Fulton Street that brings a chuckle when I see its, I would assume, jesting name. In a hurry, a slice is always a safe bet, so I finally entered the front door I normally would only pass. I pay for a regular slice and a bottle of water and head over to a counter beneath a gallery of yellowing 8 x 10s in grease-stained frames. All your standards are represented; boxing champs, a still from Good Fellas, old time singers and actors, an abundance of pizza parlor storefronts and some guy dressed as Chef Boyardee. Then, do my eyes deceive me? I spot a very, very familiar photo; The Kinks. Huh? The famous first publicity shot of them holding whips and wearing leather, looking very kinky.

I really did not get it.


When I get to the crust of my pizza, I ask the guy behind the counter, while pointing at the photo, "Is someone here a Kinks fan?" The guy answers, rather unconvincingly, "Yes. The owner." I'm thinking perhaps he became a fan because of the "Please don't keep-a me waiting" line from "Tired Of Waiting For You."  Maybe he thought it was sung by a fellow Paisan.


I go to throw out my plate, napkins and bottle and the guy adds. " I think a guy in the band is named Ray."  Of course. Then, it hits me. I look back at the exhibit and see Sugar Ray Leonard, Ray Liotta, Johnny Ray, Ray Milland, Ray Charles, dozens of Ray's Pizza shops. How did I not figure it out myself,  especially when I knew the name of the joint is "Not Ray's."


The slice hit the spot by the way.

Tuesday, June 21, 2011

Back Soon

Don't go away.

Monday, June 20, 2011

You're A Friend Of Mine



I lost my father in 1994. Those closest to me know, it was much earlier than that. I'm thinking about this now for a few reasons, the most obvious being Father's Day, and the least obvious being the death of Clarence Clemons. The reasons in between are no less significant, but they may be a bit more complicated. I'm on the fence about whether this is the proper forum. Still, it is my forum.

In short, one of my oldest and dearest friends is experiencing his first Father's Day without his dad. Someone else very dear to me is currenty at his father's bedside, for possibly their last minutes together. Finally, the most complicated, is a situation I just don't think I could do justice to in a few paragraphs and this really isn't the place.  The most complicated of the lot is a situation that I believe will just have to fix itself. Though, I am losing hope.

Where does the "Big Man" come into play? Well, the news of Clarence Clemons death hit me harder than I expected it to. I realized in just a few passing minutes, just how much the "Big Man" meant to me. How the sound of his horn found its way through the darkness of many nights where I desperately needed some light, and how the passing of such a giant shouldn't be set aside just because we are not related.

My friends came to mind. Friends who have supported me and respected me. Friends who have seen the worst of me, and still, continue to enjoy the best of me, even if on certain days, the Hubble Telescope is needed to spot even the faintest signs of pleasure. I am a hard pill to swallow. No one knows that more than me.

I thought about that last, complicated situation, and how I'd bet dollars to donuts, he'd somehow find fault in my grief over a sax player. How he, though related, could somehow "not stand me" because I have genuine feelings...such as he. But they are not the same feelings, so I am the enemy.

Blood is thicker than water. Is that a good thing?

The death of the "Big Man" is significant.  I'm going to miss him. Just as I miss my father. But I think I am old enough to not have to explain anymore, why music, and the people who make it, affect me more than family. Clarence has never passed judgement. He's just made it a point to make me...and you, happy.  Good job, Big Man.

Friday, June 17, 2011

"2011...So Far" : THE WEEKEND MIX



It is just about the halfway mark of 2011, and I've already amassed a Top 17 of the year. I can't say if any of the albums represented on this "Weekend Mix" will make it to the end of the year list. But as of now, this mix contains some of my favorite music from some fantastic records released so far.

Feel free to let me know what's hovering in your top 5 if you don't see it here.

Have a good weekend.

TRACK LIST


Under Cover Of Darkness- The Strokes
Boozoo & Leona- NRBQ
Believe It When I See It- Ron Sexsmith
I Don't Know How You're Livin'- Lucinda Williams
First Light- My Morning Jacket
Ok- The Beastie Boys
The Hive- Booker T. Jones
Man In Motion- Warren Haynes
Feel- Gerry Beckley
Cold Feety- Liam Finn
Bound For Glory- Tedeschi Trucks Band
Doors Unlocked & Open- Death Cab For Cutie
Sorry- The Smithereens
Jamie, My Intentions Are Bass- !!! (Chk Chk Chk)
Dazzling Blue- Paul Simon
Without You- Eddie Vedder
What's Now Is Now- Cake


THE ZIP

Thursday, June 16, 2011

The McCartney/MacManus Demos


Somewhere out there, an album exists, featuring the words, music and vocal stylings of Paul McCartney and Elvis Costello.  Recorded in 1987 and 1988, but never released, these songs...some of them, at least... trickled out and found homes on records such as Costello's "Spike" and "Mighty Like  Rose" and McCartney's "Flowers In The Dirt" and "Off The Ground," as well as some single b-sides. What we have here are the demos.

If you've never heard them before, then this should be a treat. I personally find these 8 tracks to be some of the boys' finest work. I've revisited these tracks time and again, and each and every time I am affected by Paul and Elvis' vocal dynamic. I once read an interview with Costello, though sometimes I remember it as part of an MTV special, where he says that McCartney seemed to deliberately give him vocal parts that sounded like Lennon. I can hear it, especially on "Tommy's Coming Home" and "My Brave Face."

TRACK LIST

The Lovers That Never Were
Twenty-Five Fingers
Tommy's Coming Home
So Like Candy
You Want Her Too
Playboy To A Man
Don't Be Careless Love
My Brave Face

THE ZIP

Wednesday, June 15, 2011

Blade Runner Is My "McCartney II"



Paul Simon or Paul McCartney?

Paul McCartney or Bob Dylan?

"McCartney" or "McCartney II?"

As "Les" said in yesterday's comments, "Discussions like these are one of the reasons I love Burning Wood."

Me too!

Personally, I never bought into the "Enjoy, it's only music" approach.  For years behind the counter at NYCD, my beloved sinkhole of a retail outlet, I was often accused of getting a little too passionate over the music I loved. I tried to convince the skeptics that I wasn't trying to sell product. My animation and fervor was genuine. I would say, "This is what music SHOULD do to you," as I fielded yet another query about a "Beatles' Greatest Hits" CD. "YEAH...ALL OF THEM," I would bark.


That said, yesterday's discussion made me think of another possibly troublemaking topic. I hope I haven't done this before.

Is there a song, album or film, that has achieved cult status but leaves you absolutely cold?

I'm not saying "McCartney II" is considered a masterpiece, but it is often cited as one of Paul's better releases.

I'm going all in with "Blade Runner," a movie whose first 30 minutes I've seen 10 times, because by minute 31, I want to hang myself. I admit to never having been able to sit through the entire film. I've finally given up caring.

Tuesday, June 14, 2011

If It's Tuesday, It Must Be Street Date: 6/14/11

Like The Beach Boys' "Love You," Sir Paul's quirky "McCartney II" seems to have a lot more fans than I would expect. Both Mojo and Q magazines, when handing out reviews of the two new Macca reissues below, slapped Paul's debut with 2 stars, while giving "McCartney II" 4 stars. I'm not feeling that at all.

Both "McCartney" and "Ram" contain some of my very favorite solo Beatle moments, and occasionally fight it out with each other for the top slot on my fave McCartney album list. I've revisited 1980's "McCartney II" a number of times, usually when it gets an upgrade and the reviews start pouring in. And like the Beach Boys' "Love You," it has moments, but still mostly leaves me a bit baffled by the accolades.







PAUL MCCARTNEY'S CLASSIC SOLO RECORDINGS MCCARTNEY AND MCCARTNEY II GET DELUXE TREATMENT

McCartney's Seminal Solo Albums Will Be Available In Multiple Configurations Featuring Remastered Rare And Unreleased Audio & Video Content With Special Exclusive Packaging

MPL and the Concord Music Group are pleased to announce McCartney and McCartney II as the next releases in the Paul McCartney Archive Collection. Heralded as one of the most beloved solo debuts of all time, McCartney, the smash # 1 album, originally released April of 1970, yielded the timeless tracks "Every Night" and "Junk" along with the immortal classic "Maybe I'm Amazed." McCartney II originally issued in May of 1980 was McCartney's return to solo work after nine years touring and having released several massively successful albums with Wings. Reaching #1 in the UK, and #3 in the U.S., the album produced enduring classics such as "Coming Up," "Waterfalls," & "Temporary Secretary."

Paul McCartney personally supervised all aspects of these two reissues. The remastering work was done at Abbey Road using the same team who recently remastered the complete Beatles' catalogue.

Both McCartney and McCartney II will be available in a variety of formats.

McCartney will be made available as a 2-disc (2 CD) Special Edition featuring the original remastered album plus seven bonus audio tracks including the previously unreleased outtakes "Suicide" and "Don't Cry Baby" plus a rare live 1979 recording of "Maybe I'm Amazed". For collectors, the reissue will also be made available as a lavishly packaged 3 disc (2 CD, 1 DVD) Deluxe Edition which includes an exclusive bonus DVD featuring rare and previously unseen footage, an extraordinary 128-page hard bound book containing many exclusive and unpublished photos by Paul and Linda McCartney, original album artwork, downloadable hi-res audio versions of the remastered album and bonus audio tracks, an illustrated history of the making of the album, and expanded track by track information for the two audio discs as well as detailed historical information on the film content.

McCartney II will also be made available as a 2-disc (2 CD) Special Edition featuring the original remastered album plus eight bonus tracks including B-Sides and alternative versions. The bonus audio CD includes the #1 hit "Coming Up (Live At Glasgow, 1979)" and holiday perennial "Wonderful Christmastime."

The lovingly packaged 4 disc (3 CD, 1 DVD) Deluxe Edition of McCartney II not only includes an exclusive bonus DVD featuring rare and previously unseen footage (including performances of `Coming Up' and the new video for the unreleased track `Blue Sway') but includes an additional seven rare bonus audio tracks exclusive to this edition. Additionally, the McCartney II deluxe edition contains an extraordinary 128-page hard bound book featuring many previously unpublished photos by Linda McCartney, original album and single artwork, downloadable hi-res audio versions of the remastered album, an illustrated history of the making of the album, and expanded track by track information for all three audio discs plus detailed historical information on the film content.

Both original remastered albums and bonus audio content will also be issued as 2 disc 180gm audiophile vinyl editions which will come with an MP3 download of all included audio.

The musical achievement of McCartney and McCartney II are noted in the annals of music history as they serve as bookends to the historic first chapter of McCartney's solo career.

McCartney & McCartney II mark the second and third releases from the Paul McCartney Archive Collection, an ambitious reissue program that encompasses 41 years of cherished, classic material from the most successful songwriter and recording artist in music history. In November of 2010, the inaugural title in the Archive Collection, Paul McCartney & Wings' 1973 classic Band on the Run, was released to worldwide acclaim.






NEIL YOUNG- A TREASURE

Live recording from Neil's 1984-1985 tour with the "International Harvesters," a band that featured Ben Keith and Spooner Oldham, among many other country music greats.

TRACK LIST
* Denotes Previously Unreleased Track

1. *Amber Jean (9/20/84) Nashville Now TV - Nashville, TN
2. Are You Ready For The Country? (9/21/84) Riverbend Music Center - Cincinnati, OH
3. It Might Have Been (9/25/84) Austin City Limits TV - Austin, Texas
4. Bound For Glory (9/29/84) Gilleys Rodeo Arena - Pasadena, TX
5. *Let Your Fingers Do The Walking (10/22/84) Universal Amphitheater Universal City, CA
6. Flying On The Ground Is Wrong (10/26/84) Greek Theater - Berkeley, CA 7. Motor City (10/26/84) Greek Theater - Berkeley, CA
8. *Soul Of A Woman (10/26/84) Greek Theater - Berkeley, CA
9. Get Back To The Country (10/26/84) Greek Theater - Berkeley, CA
10. Southern Pacific (9/1/85) Minnesota State Fair - St. Paul, MN
11. *Nothing Is Perfect (9/1/85) Minnesota State Fair - St. Paul, MN
12. *Grey Riders (9/10/85) Pier 84 - New York City, NY 





BLACKIE & THE RODEO KINGS- KINGS & QUEENS

After 10 years and 6 albums, "Kings & Queens" is the first I am hearing of "Blackie & The Rodeo Kings." Apparently, the band is one of Canada's leading roots-rock bands. This must be true. Look at the line-up of special guests they've recruited for "Kings & Queens":

Rosanne Cash
Emmylou Harris
Pam Tillis
Serena Ryder
Lucinda Williams
Cassandra Wilson
Amy Helm
Janiva Magness
Mary Margaret O'Hara
Sam Phillips
Sara Watkins
Exene Cervenka
Patti Scialfa 
Holly Cole

"HOLY LILITH FAIR, BATMAN!"





MADELEINE PEYROUX- STANDING ON THE ROOFTOP

It was difficult for me to take Peyroux's 1996 Atlantic Records debut too seriously. She sounded so much like Billie Holiday, I thought it was a joke. But the stellar cast of jazz musicians employed on "Dreamland," Cyrus Chestnut, James Carter, Vernon Reid, and Marc Ribot for starters, made me realize, this was no joke. The record was met with critical acclaim, though that didn't make me like it any more.

It took 8 years for a follow up, and I often wonder if it had anything to do with the Billie Holiday comparisons. Not that Peyroux's voice had changed for her 2004 release "Careless Love," but the vibe certainly did, going from smoky jazz to a collection of pop, folk, and country tunes. It worked better...for me.

On her new recording, Peyroux recruits some more wonderful people to back her up, including Allen Toussaint, Glenn Patscha, Me'Shell Ndegeocello, Jenny Scheinman, and the aforementioned Marc Ribot. "Rooftop" features songs by Paul McCartney, Bob Dylan, Robert Johnson, as well as a handful of Peyroux originals. Not everyone is going to embrace the laid-back approach to the covers, with "Love In Vain" being the most difficult for me. Peyroux delivers it with what sounds like a vocal nod to Peggy Lee, backed by a droning violin and muffled drums. Interesting, but something is just not right.

Still, as a whole, "Standing On The Rooftop" is another fine entry from Madeleine Peyroux.







ALSO OUT THIS WEEK

New records from Barry Manilow, Ziggy Marley, Pat Metheny and Marc Broussard.

Monday, June 13, 2011

Concert Break




I don't know how something like this is going to go over for both blogger and bloggees.  I guess I'll find out soon.

I am loving the new Tedeschi Trucks Band album "Revelator." It's HERE if you want to buy it.

Reader "Soundsource" hipped me to this 40 minute live concert from Atlanta and it killed me. The record is solid, but here the band really lets loose. Plus, I get to see my man Maurice Brown blowing his horn on a ripping cover of Sly's  "Sing A Simple Song."

Hope you enjoy this as much as I did.

Friday, June 10, 2011

"Elvis Costello's Big Wheel Finale" : THE WEEKEND MIX



I had hoped to piece together a mix, that collected all of the odd tracks and covers from Elvis Costello's current "Spinning Songbook" tour. With the endless supply of sources for live recordings on the internet, I thought this would be easy,  if a bit time consuming. But, as it happens, many of the recordings that have been made available just haven't sounded that good; an oddity in this day and age of such high-tech/unobtrusive recording devices. 

If that wasn't enough to put a cramp in my project, the Boston show with special guest Peter Wolf, hasn't turned up at all.  I had been looking forward to their duet on the J. Geils classic, "Cry One More Time." Aside from a not-so-good You Tube video, I've had no luck.


BUT...the final night at NYC's Beacon Theatre sounded good enough to my ears to offer up in its entirety, and it had a marathon set list with most of the odd songs and covers from the tour.  That said, here is "THE WEEKEND MIX."

WARNING:

This is not a stunning soundboard recording. It is a very nice, completely enjoyable, audience recording, that when turned up loud, should make you feel as if you are right there.

It is also a very long show, so it is broken down into two parts.

As for the show itself, I know that being there was a treat, but in listening back, I'm not sure if all of the covers worked. You can decide. Still, it is one special performance.


HAVE A GOOD WEEKEND!







Elvis Costello & The Imposters
New York
May 24th, 2011


Overture - featuring the return of the former Mother Superior of Our Lady of Perpetual Torment, Dixie De La Fontaine

I Hope You’re Happy Now
Heart Of The City
Mystery Dance
Uncomplicated
Radio Radio

The Spectacular Spinning Songbook

Veronica – SPIN 1

“Joanna” Jackpot – SPIN 3

Pills And Soap
 
Detectives vs Hoover Factory
– SPIN 3 - SPLIT DECISION

Hoover Factory
Watching The Detectives

“Napoleon Solo” Jackpot – SPIN 4 (DEFERRED)

“Imperial Chocolate” Jackpot – SPIN 5 by Questlove of The Roots

Shabby Doll – from “Imperial Bedroom”
Beyond Belief – from “Imperial Bedroom”
I Want You – from “Blood And Chocolate”

Black And White World – TOTAL IMPROMPTU – with Questlove on drums and Pete Thomas on background vocals

Let Me Roll It – IMPROMPTU

Accidents Will Happen – SPIN 6

Chelsea – Spin 7

Hand In Hand - IMPROMPTU
And Your Bird Can Sing – IMPROMPTU

Interlude

License To Kill – “Napoleon Solo”

“King’s Ransom” Jackpot – FIX

Indoor Fireworks – with Jim Lauderdale and the Imposters
I Lost You – with Jim Lauderdale and the Imposters
Brilliant Mistake – with Jim Lauderdale and the Imposters

“Girl” Jackpot – SPIN 8

This Year’s Girl
Earthbound – IMPROMPTU
Alison – IMPROMPTU
Honey, Are You Straight Or Are You Blind? – IMPROMPTU
Party Girl
Purple Rain - IMPROMPTU

Finale

Out Of Time
Pump It Up
Substitute
Peace, Love And Understanding

PART ONE

PART TWO

Thursday, June 9, 2011

And Speaking Of Randy Newman...



A few things I've learned from yesterday's discussion:

Paul Simon is a cranky old man.

Not everyone enjoys making lists.

People love The Beatles.

People "appreciate" Bob Dylan, which really means, they don't like him. (Like when people say "That's funny," instead of actually laughing at something.)


If you have an unpleasant singing voice, people pay less attention to your songwriting, no matter how brilliant.


And speaking of Randy Newman, here is a fab show from the BBC, recorded late last year at St. Luke's. Newman is one of my heroes, and this performance shows why. Always engaging, often hilarious, and occasionally heartbreaking, Randy Newman is an American treasure. There are few songs that can stop me dead in my tracks the way "Marie" can.  (And I think there's a live Paul Simon version out there somewhere.)

TRACK LIST
(11/7/10)

Rollin'
Short People
Mama Told Me Not To Come
Marie
God's Song
~talk~
The World Isn't Fair
Louisiana 1927
You Can Leave Your Hat On
I Miss You
Laugh & Be Happy
Political Science
Love Story
Feels Like Home
A Few Words In Defense Of Our Country
Sail Away
I Think It's Going To Rain Today



ZIP FILE

Wednesday, June 8, 2011

Bob Dylan Is Second Tier



 MOJO
You recently said you didn't consider yourself to be at the top when considering the pantheon of popular songwriters. Who is at the top in your view?


PAUL SIMON
(Ponders) I'd put Gershwin, Berlin, and Hank Williams. I'd probably put Paul McCartney in there too. Then I'd have Richard Rodgers and Lorenz Hart. Then, in the second tier, Lennon is there. Dylan is there, Bob Marley and Stephen Sondheim are there, and maybe I'm there, too. It's about whose songs last.





There is a world of discussion here, starting with Dylan in the second tier. That wouldn't strike me as curious if both Lennon AND McCartney were in the first tier. But if I had the chance, and Mojo did, I would have sacrificed the question about "The Rhythm Of The Saints" and asked for further insight to Simon's ranking.  Paul over Bob?

Could "Wiggle, Wiggle" have hurt Dylan that much? And if so, why didn't "Biker Like An Icon" and most of "Wildlife" hurt Paul? Or, "Pipes Of Peace?" Or, "Nod Your Head?" Or...

I'm guessing, most everything after "Imagine" has tarnished Johnny Boy. Nothing, not even "Woman" and "Beautiful Boy" could make me forget "Rock & Roll," one of my least favorite records by anyone. I know it's unfair to place a drunken covers record in the mix, but I hate that record THAT much.

Okay, I realize I am not seeing the big picture here. (And I jump at the chance to mention "Wiggle Wiggle" and "Biker Like An Icon.") But, I am one of those people who just assumes everyone "knows" Bob Dylan is our greatest songwriter.



I don't think I could pit Lennon and McCartney against each other. I think most would agree, Paul's solo output was far more consistent, though we must take into account the 30 extra years he had to work. But, Lennon seemed to get his mojo back with "Double Fantasy," so who really knows what was coming down the pike. As a team, I still feel, unequivocally, no one will ever come close to John & Paul.

But Dylan? Second tier?

And what about Hank Williams? I must confess, while I love Hank Williams, I have to go back to Simon's comment.

"It's about whose songs last." 

Shouldn't the amount of songs that last also be a consideration? Hank Williams' followers may know the depth of his catalogue the way Dylan fanatics call out "Yea Heavy, & A Bottle Of  Bread" at concerts. But don't you think Dylan has a larger amount of songs that has lasted than Hank? "Old Folks At Home" has outlasted both of these guys, but I don't think Stephen Foster is the better songwriter.  I guess that isn't criteria for what makes a better songwriter, but then I didn't make the statement.


What's my point? Uh...the point?  Honestly, I'm not sure. Simon mentions 10 songwriters, 11 if you count Simon himself, and I'm hard-pressed to find a single reason to not include any of them in this pantheon. I'm just wondering if anyone is as surprised as I am at Simon's ranking, and if anyone wants to share their feelings on all of this.

Tuesday, June 7, 2011

If It's Tuesday, It Must Be Street Date: 6/07/11





 


TEDESCHI-TRUCKS BAND- REVELATOR

It will be hard to escape the Delaney & Bonnie comparisons, but who cares when a record is this good. Slide playing extraordinaire Derek Trucks and his wife Susan Tedeschi, a fine player and sweet vocalist, who one friend calls "Bonnie Raitt lite," but who I think has put out some really fine albums (it's not her fault she sounds like Bonnie Raitt) have assembled an array of stellar musicians, including Allman's bassist Oteil Burbridge and my pal Maurice Brown on trumpet, for a collection of southern soul and Delta blues that will no doubt bring to mind the aforementioned Delaney & Bonnie, not to mention the Allmans themselves. 

While I've yet to see this line-up live, I have listened to a few live recordings, and the band really lets loose, especially on their versions of Derek & The Dominoes' "Anyday" and Sly's "Sing A Simple Song." "Revelator" is more song-oriented and the extended jams are few and far between. I'm loving it, even if the horns needs to be further up in the mix.

BUY IT HERE
http://www.amazon.com/Revelator-Tedeschi-Trucks-Band/dp/B004RSCWZ2/ref=sr_1_2?s=music&ie=UTF8&qid=1307446985&sr=1-2

Check out "Sing A Simple Song," live from NYC's Highline Ballroom below.




I WANT THIS...BADLY




MARVIN GAYE- WHAT'S GOIN' ON: 40TH ANNIVERSARY EDITION


This 40th Anniversary Super Deluxe Edition contains 2 CDs + Vinyl LP + Gatefold Booklet with Rare Photos, Lyrics and New Essays.
Highlights include:
* A remastered version of the album plus 28 bonus tracks - 16 unreleased.
* Original mono versions of the LP's hit singles.
* A previously unreleased original `Quality Control test mix' of "What's Going On," mixed before Marvin had added strings, horns and additional vocals.
* Several pre-album outtakes, recorded while Marvin was "on strike," waiting for his single to be released, including "Head Title," now in unedited form for the first time.
* Several post-album instrumental jams with local musicians who included Ray Parker Jr. - a series of recordings made in Detroit before Marvin followed Motown to Los Angeles.
* The original single version of a sequel to the album, "You're The Man," as well as two alternate versions.
* The album's rare, original "Detroit Mix," previously issued on CD for the 30th anniversary, now on vinyl for the first time.

Please e-mail, if you need my address. Thank you in advance.

BUY IT HERE
http://www.amazon.com/Whats-Going-Anniversary-Super-Deluxe/dp/B004V7XWEE/ref=sr_1_25?s=music&ie=UTF8&qid=1307447609&sr=1-25





JOE JACKSON- LIVE MUSIC, EUROPE 2010

Recorded on last year's "trio" tour of Europe, here are J.J., Graham Maby and Dave Houghton with a dozen songs from various locations, including a few covers from The Beatles, David Bowie and Ian Dury.

BUY IT HERE
http://www.amazon.com/Live-Music-Joe-Jackson-Trio/dp/B004X1M3K2/ref=sr_1_27?s=music&ie=UTF8&qid=1307447832&sr=1-27






ARCTIC MONKEYS- SUCK IT AND SEE

Better than the last few and not as exciting as the debut, so they say. I can't say I was all that impressed by the debut, so "Suck It & See" sounds just as good to me...if you like one-dimensional, Britpop poseurs.

BUY IT HERE
http://www.amazon.com/Suck-See-Arctic-Monkeys/dp/B004XIQIPQ/ref=sr_1_4?s=music&ie=UTF8&qid=1307448204&sr=1-4




ALSO OUT THIS WEEK




FRANK SINATRA- RING A DING DING

Frank's debut for Reprise is newly remastered and now includes 2 bonus tracks. From what I've read, this is the first release of this recording that corrected some issues with the original mix down. Simply put, for 50 years, fans have been listening to a muddy "Ding Ding." Now, the sound is clean and dry.  So there.

BUY IT HERE
http://www.amazon.com/Ring---Ding-Ding-Frank-Sinatra/dp/B004WJRGFW/ref=sr_1_26?s=music&ie=UTF8&qid=1307448474&sr=1-26




AND WHILE I'M AT IT




DEAN MARTIN- COOL THEN, COOL NOW (2 CDS & 1 BOOK)

Still another compilation that includes "Ain't That A Kick In The Head" and "Volare," but this time it comes with a book of photos, with tributes from Arnold Palmer and Robbie Williams.  (No, really.)

BUY IT HERE
http://www.amazon.com/Cool-Then-Now-CDs-Book/dp/B004JZPMO6/ref=sr_1_28?s=music&ie=UTF8&qid=1307448474&sr=1-28






DUNCAN SHEIK- COVERS 80s

Duncan Sheik, the man behind the brilliant "Spring Awakening," covers 12 synth-pop classics by the likes of the Cure, New Order, Tears for Fears, the Smiths, the Psychedelic Furs, the Thompson Twins, Love & Rockets, Howard Jones, Japan, Talk Talk, and the Blue Nile.

TRACK LIST


1. “Stripped” (Depeche Mode)
2. “Hold Me Now” (Thompson Twins)
3. “Love Vigilantes” (New Order)
4. “Kyoto Song” (The Cure)
5. “What Is Love” (Howard Jones)
6. “So Alive” (Love and Rockets)
7. “Shout” (Tears for Fears)
8. “Gentlemen Take Polaroids” (Japan)
9. “Life’s What You Make of It” (Talk Talk)
10. “William It Was Really Nothing” (The Smiths)
11. “Stay” (The Blue Nile)
12. “The Ghost In You” (The Psychedelic Furs)

  
BUY IT HERE
http://www.amazon.com/Covers-80s-Duncan-Sheik/dp/B004WOXL6U/ref=sr_1_37?s=music&ie=UTF8&qid=1307448693&sr=1-37

Monday, June 6, 2011

The Passing Of Andrew Gold


There was some confusion over the weekend about the death of pop songwriter and producer Andrew Gold. No credible news reports were found, as the only places to find any information were on blogs, or on Wikipedia. I posted a brief tribute. I've been a fan since "Lonely Boy." But then I received a message from a reader which said, "Take this down or amend it. He is not dead."

Sadly, this news has been confirmed by both his sister on her Facebook page, his mother, singer Marni Nixon, as well as a few news sources.

I listened to all of Andrew Gold's Rhino CD collection, "Thank You For Being A Friend: Best Of," yesterday, and while most us will cite Gold as a one-hit wonder thanks to the aforementioned "Lonely Boy," or the "guy who sings The Golden Girls theme," this 20 track compilation has very little filler. I'm a fan, and I was surprised at just how solid his songwriting was.

Take a look.


http://www.amazon.com/Thank-You-Being-Friend-Best/dp/B00000347A/ref=sr_1_1?ie=UTF8&qid=1307361657&sr=1-1

One of my favorites, from his 1978 LP, "All This & Heaven, Too," is "Oh, Urania," which always reminded me of 10CC.

OH URANIA


Of course, we can't forget Andrew's work with Linda Ronstadt, a period of her career that was arguably never equalled.

Sad day for pop music.

Friday, June 3, 2011

BLAST FROM THE PAST!--"The Guitar Pull" : 'THE WEEKEND MIX



Forgive the repost. I'm offering this again for two reasons. The first, I got caught up in some shit last night, so I didn't prepare. My apologies. The second, I was just listening to it and it's really something else. Plus, a bunch of you may have missed it first go around.



Well, here it is, by popular demand, the "GUITAR PULL" episode of SPECTACLE in its entirety...less Mellencamp's "Small Town." The great "Deerfried" who has been generously uploading the videos onto You Tube, seemed to have missed it. If it turns up, I'll post it for completists.

In the meantime, enjoy the audio from one of the most incredible nights of televised music in recent memory. The show is nothing but highlights.

There is the beautifully haunting "April 5th," a song co-written via e-mail by Rosanne Cash, Kris Kristofferson, and Elvis Costello, and originally written about in Miss Cash's wonderful NYT piece which you can read HERE. Was anyone as amazed as I was over Elvis' falsetto?

Or how about the effortless low harmony Norah Jones sings on "Seven Year Ache?"

Or Kris' pair of moving solo turns?

As I said, every song is a moment.

Dig in.


Big River
Sunday Morning Coming Down
Seven Year Ache
How Many Times Have You Broken My Heart
From Sulfur To Sugarcane
April 5th
Here Comes That Rainbow Again

Longest Days

Me & Bobby McGee


ZIP FILE

Thursday, June 2, 2011

A Beaucoup Of Bo-Keys



Know who Charles "Skip" Pitts is? How about Ben Cauley or Howard Grimes? I know some of you soul people do. That unmistakable wah-wah that opens the "Theme From Shaft?" That's Skip Pitts. That distinctive drum sound on all your fave Al Green hits? That's Howard Grimes. (Well, sometimes, it's Al Jackson Jr.) But still...

Know the Bo-Keys? They are the brainchild of Scott Bomar, and this is where you can find these legendary musicians.

The new CD hits in a few weeks. Until then, watch this, and check out Skip Pitts' guitar playing during the shoot for the first single, "Got To Get Back" with R&B legend Otis Clay.

Wednesday, June 1, 2011

If It's Tuesday, It Must Be Street Date: 5/31/11...except it's not.



HARD SELL OF THE WEEK


EDDIE VEDDER- UKELELE SONGS

I don't believe any amount of hyperbole is going to turn a non-believer into a believer with this one. So I will keep it brief. If you're not a Pearl Jam fan, don't bother. This won't make you one. If you don't like Pearl Jam because of Eddie Vedder. Please leave now. But, as much as I laughed at this when I first heard of its release, I can't stop listening to it.

It works because it's sincere, and the man writes some gorgeous songs. I love it. Check out "Without You," or his take on the standard "Once In A While."

http://www.amazon.com/Ukulele-Songs-Eddie-Vedder/dp/B004V6MWFU/ref=sr_1_1?s=music&ie=UTF8&qid=1306926617&sr=1-1





SURPRISE OF THE WEEK

MY MORNING JACKET- CIRCUITAL

Each record by MMJ since 2003's "Z" has been a 50/50 proposition. I love half and I hate half. "Circuital" is different because, while I don't love anything, I kinda like it all. I've especially grown fond of Jim Jones' voice, and here on "Circuital," the big time FM radio arrangements are infectious. There's a $5.00 download on Amazon right now.
http://www.amazon.com/Circuital/dp/B0051E96IW/ref=tmm_msc_title_0?ie=UTF8&qid=1306880041&sr=1-1

While you're there, check out "Victory Dance" and "First Light," my two faves.





THIS WEEK'S WASTE OF TIME


KATE BUSH- DIRECTOR'S CUT


Last year Peter Gabriel delivered his first album in 8 years, the gloomy and wretched "Scratch My Back," a collection of cover versions that boasted "no guitars or drums." OH BOY! Sign me up.

Now, this other one with the work ethic of Otis The Drunk, delivers her first in 6 years--reworked versions of songs from two of her least popular records. Another electrifying idea.  I listened so you won't have to.

Seriously, Pete...Katie....sell the rest of your instruments, buy a couple of hammocks, maybe have a few Daiquiris and just don't get us involved anymore.





OLD FAVE OF THE WEEK


OZZY OSBOURNE- BLIZZARD OF OZZ

Umpteenth reissue of Ozzy's debut, this time restoring the late Randy Rhodes' guitar tracks that were removed for...I don't know why.  (Or maybe it was Tommy Aldredge's drum tracks.) Whatever. I blame Sharon. I mention this because, as far as metal records go, this really is one of the best.


AND ONE MORE....




BEADY EYE- DIFFERENT GEAR, STILL SPEEDING

This has been out for a bit now, but I only got to it a few weeks ago. It's basically Oasis without Noel, and it's better than anything they've put out.  So check it out.

http://www.amazon.com/Different-Gear-Still-Speeding-Beady/dp/B004LGPBZI/ref=sr_1_1?s=music&ie=UTF8&qid=1306881328&sr=1-1