Both long time readers and recent visitors should know by now that "The Who Sell Out" is my favorite record of all time. There is no need to reiterate my feelings about the music. I will however, offer what I hope are some helpful thoughts regarding the just released super deluxe edition.
Now I know many of you stopped buying physical product of any format years ago, while some still purchase CDs only. I'll refrain from going into detail regarding digital versus analogue, CDs versus vinyl, MP3s, etcetera. That debate can be saved for another post.
Or not.
But, in order to review the box, some of these issues will need to be addressed, especially for those like me, who prefer the vinyl experience.
First, the cost.
$119 isn't that expensive, relatively speaking. It only hurts because you have to spend it all at once on one thing, as opposed to say, six things over the course of a year. And I am sure it hurts even more when you are in the habit of getting your music for free.
Please humor me, while I break this down.
An 80 page coffee table book on music, filled with tons of information and photos, would usually sell at Barnes & Noble for approximately $35-50, sometimes more, when it's a book by Jimmy Page or Paul McCartney.
Five CDs, if released individually over the course of a year, would sell for about $12 each.
That's $50 for the book and $60 for five CDs. $110. So far, nothing crazy here.
What's left is approximately $10. So if I offered you, a fan of the Who...or any band, really... a bag of goodies that included two 45s with picture sleeve replicas, a few posters, a couple of 45 adapters, and a bunch of other fun readable treats for $10, it'd be a no-brainer, no?
Yes! Of course!
(Does anyone remember fun?)
There's your $119.
Except, if you don't care about physical product, or a coffee table book, or 45 vinyl replicas, or if you feel you've outgrown the collectors mentality, and fun, then it really wouldn't matter if this box was half the price, would it?
No, it wouldn't.
The issue is more about whether you need to have all of this in your grubby little hands when you can just stream the music, or in some instances, just "take it" from certain sites.
This is where we will most likely disagree.
I went all in and purchased the deluxe box, the stereo vinyl and the exclusive MONO LP, on "Heinz Baked Beans" orange vinyl seen above, available exclusively from The Who store.
I am thrilled with all of it.
The stereo remastering is wide and bright, not just on the vinyl, but on the CDs, as well. This is by far, the best the stereo album has ever sounded. Details like Pete's strumming on "Mary Ann With The Shakey Hand" are crystal clear. The alternate mixes on rarities like "Early Morning Cold Taxi" and "Fortune Teller," as well as faves like "I Can See For Miles" and "Magic Bus" are in a word, stunning.
The MONO vinyl is big and punchy, though maybe just a bit boomier than the original UK mono LP. Still, a delight nonetheless. Both vinyl editions are in lovely gatefolds with detailed notes and both are strong pressings.
The book is full of amazing tidbits, with essays by Richard Evans, Chris Huston, Pete Drummond and Townshend himself, as well as Pete detailing his demos. The track annotation alone is almost worth the price of admission.
One thing that really amazed me was reading how Townshend was asked about the music he was wrtiing in 1967 and he replied, "It's power pop," coining the phrase years before Big Star. And on Disc Four of the set, "The Road To Tommy," which features many of the stray tracks from 1968, The Who has never sounded more like a power pop band. That disc alone plays like a lost classic. Actually, not before "Sell Out," or ever again, have The Who been so overtly poppy and melodic. I think this is what has appealed to me for so long without actually realizing it.
The bonus material is far better than your average boxed set, with only Disc 3 offering studio chatter and "fly on the wall" versions. Pete's demos are not just guitar and voice. They are fully formed and arranged and quality throughout the entire set is superb. I thought I had heard it all, but I was wrong.
So do you need to spend $119?
If you're a casual fan, no I guess you don't.
I can't imagine this new edition would suddenly make "Odorono" sound any more appealing to those who prefer "My Generation" or "Baba O'Riley." But if you love The Who and this album, and already love the beautiful melody and structure of "Odorono," despite its subject matter, by all means, get the damn thing!
It's no secret. You are not hearing all of the music by grabbing a 320 kbps file and playing it through either your computer or your preferred device. It's math. You wouldn't watch "Casablanca" if Ugarte, Peter Lorre's character, was obstructed, or missing altogether. Or if Sonny Corleone's character was only implied in a cheaper version of "The Godfather." Would you?
Is a snapshot of Michelangelo's "David" just as breathtaking as standing at its foot?
OK, enough. Even I have had enough of me.
I understand, there is a big difference between noticing a character missing or a scene being cut in a favorite film, and noticing missing audio. But a compressed file does that very thing, whether you notice or not. You may not care. And if this was a $119 deluxe box of "Face Dances," I wouldn't care either. But it isn't. It's "The Who Sell Out." Or it could be your favorite record. And this is why a few times a year, it's okay to spend a few bucks on something special...if you're able.
What I am saying is, try to reel in your cynicism. If you're here, you love music and you are probably used to my gushing. So try and dig that feeling, and stop rolling your eyes and your contemptuous snorting. I can hear it through the screen.
If you're a vinyl fan, get them while you can. There are different bonus tracks on both stereo and mono, but hardly the feast of rarities found on the CD set.
This big box of "The Who Sell Out" is worth every penny and I think you know, if I didn't think so, I would not hesitate to shit all over it.
And while it is available, check out this terrific new "Classic Albums" episode on this very album.
15 comments:
OK, this is the type of review I was hoping for - thank you.
For me, the main appeal is the demos. I'm a Townshend demos FREAK, gathering every official release (Scoop and the Deluxe sets) plus every boot, to try to get every demo. So in the end, I'll probably rationalize it on that alone.
As for selling on the idea that music is to be bought and caressed, oh I am on that train, baby! I'll never be a "streamer" and I love my physical music. Even just glancing at the two Super Deluxe Velvet Underground box sets I have actually gives me joy, like seeing a painting I bought. I noticed that yesterday. Not to mention other Super Deluxe boxes I've bought like three for Fleetwood Mac, Lou Reed's "New York" and a few more. (Plus any and all Dylan boxes, forever)
Side note - hilarious line:
"OK, enough. Even I have had enough of me."
Sounds like a future Todd Rundgren song title if you shortened it.
Sounds like Christmas in April in the Nunziato home! I confess such completist-ism ain't for me. But I truly appreciate and admire the passion. Looking forward to your posts when you get back from planet Who...
Can't imagine any album released in this millennium will ever get (or deserve) this kind of treatment. Because what would it include? Unfinished costume sketches from the video? Unreleased and rejected bleeps and loops? Day-by-day stats on numbers of "likes"?
"Unreleased and rejected bleeps and loops?"
Hahaa.
Yes, as you pointed out one can find it for free on certain sites but without the inserts and whatnot that come with it. But 54 years after the fact The Who Sell Out remains one of my favorite albums of all time. So what's $128.46 (Amazon Prime price including free shipping and tax) when all is said and done?
This album is the epitome of pop art in rock music. I still remember the first time I heard this album on a decent stereo. I couldn't believe how I Can See for Miles after hearing it for years on the radio just soared into the outer galaxy. Townshend's guitar and Moon's drumming still thrills me every time I hear it.
What is the classic album link in your post? I couldn't get access when I clicked on it. Is it something you have to subscribe to?
@Ken49
It looks as if the documentary has been taken down. It was a new "Classic Albums" episode on Sell Out with Pete & Roger.
If something makes you happy, you make it part of your life.
Live long and happy with this treasure.
Well, you know how how I feel about The Who Sell Out, my fave by them as well. Good review Sal, I'm getting it for sure. Thanks!
I don't think I'd ever heard the mono of Who Sell Out before and it slayed me. I don't know the album well enough to hear differences with the stereo mix, but just the punchiness of it seemed so much better suited to the music, and to my ear really puts it across in a way the stereo never had. (And I've only listened on spotify.) I already liked the album -- don't get me wrong, I'm pretty much all in on all Who up through Who By Numbers -- but it has jumped up a few places on my personal chart.
Sal, what do you think of the mono vs stereo mixes? Any significant differences? To my ear Who Sell Out should be up there with Sgt. Pepper's and Surrealistic Pillow in this regard, although actually I've never really gotten the alleged superiority of the Airplane mono mix. Anyway...
Bruce H
PS: I once heard a stereo mix of "I Can't Explain" that absolutely ruined the song, my all-time Who favorite.
" I once heard a stereo mix of "I Can't Explain" that absolutely ruined the song, my all-time Who favorite."
Pete famously said that the mono mix of "I Can See For Miles" made the stereo version sound like the Carpenters. :-)
@Bruce H
I have always preferred mono over stereo for most records out of the 60s because, as another friend put it, "the stereo feels like cheating." And while I still love the MONO "Sell Out," there was something about this new stereo remaster that knocked me out. Quite simply, it breathes. Aside from "Armenia" and "I Can See For Miles," these songs aren't thumpers, so hearing the separation and the detail in the vocals and strumming, was really wonderful to my ears.
As for "Surrealistic Pillow," the stereo drops globs and globs of reverb on everything, like a soundcheck in an empty arena. The mono sounds like the room is full. Much better.
Ive been listening to the Mono CD version (from Box).
Sounds great .....one bit I didnt like was the (I suppose) edit in "Rael (Pt.1 & Pt.2 _ Track Records Run Out Groove _ Mono Version)"...I always find these things feel like somethings not quite right!!
I think the quote for me is when Pete Townshend talks about the advertising for the album. Something along the the lines of...we hoped for Jaguars and got 50 cans of Heinz Baked Beans....Fuck'em....Ive already got a Jaguar!
AND Sal...You obviously have the wrong T-Shirt on in your Picture with the Orange Vinyl!!!!
$119 is not a lot to pay for something that brings you so much joy. I'd call that a bargain.
"Sell Out" was the Who LP I mostly ignored. Was it my slavish devotion to "A Quick One" (aka "Happy Jack" in the U.S.) that deafened me to TWSO? I think that's true in part, mostly because nothing on the LP grabbed me the way "Pictures of Lily" or "Cobwebs and Strange" or "A Quick One (While He's Away)" did, and I was already tired of "I Can See for Miles." So I passed at the time, and never sat through a complete playing anytime afterward. All of which is to say, I came to this 5-disc set with more or less virgin ears, albeit ears already conditioned by the first Who LPs and their 45s. And a bit to my surprise, I enjoyed the heck out of it. Not just for the alternate take of "Call Me Lightning" either, which was pretty much what I expected from the tracklist, but the sumptuous sound, the ability to follow the development of tunes I've heard but don't know well, the demos, even the ephemera I've already found online -- the whole is even more impressive than the sum of its parts. Maybe it's time to reconsider "Who's Next?" -- which is where I got off the magic bus decades ago. Nah .....
Great review, thanks! Still have a few bucks left over from my stimmy check.....
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